April Lyrid Meteor Shower

If you’re a fan of shooting stars, and want to catch bits of Comet Thatcher burn up in the atmosphere, you won’t want to miss the Lyrid meteor shower this April. The Lyrids are one of the oldest known meteor showers, dating back to ancient China and they can produce up to 20 meteors per hour at their peak. The meteor shower is caused by leftover debris from Comet Thatcher, a long period comet (415 year) that has only been observed once since discovery in 1861, and is scheduled to return no earlier than 2283.

But how can you enjoy this celestial spectacle if you live in the city, where light pollution can wash out the night sky? Here are some tips to help you catch a glimpse of the Lyrids this year.

  • The best time to watch the Lyrids is between midnight and dawn on April 22nd to 23rd, when the shower reaches its maximum activity. However, you can also see some meteors a few days before and after this date, as the Earth passes through the debris trail left by comet Thatcher.
  • The Lyrids appear to radiate from the constellation Lyra, which rises in the northeast after sunset and climbs high in the sky by dawn. You don’t need to look directly at Lyra to see the meteors, but it helps to find a spot where you have a clear view over the eastern horizon.
  • To avoid light pollution, try to get away from bright streetlights, buildings, and cars. You can also use an app like Dark Sky Finder or Clear Sky Chart to find a dark location near you. If possible, drive or bike to a park, a hill, or a rural area where you can see more stars. As luck would have it the Moon, only at 10% illumination, will set just before midnight, removing one pesky light source.
  • Once you find a good spot, let your eyes adjust to the darkness for at least 15 minutes. You don’t need any special equipment to watch the Lyrids, just your eyes and some patience. Dress warmly, bring a blanket or a chair, and maybe some snacks and drinks to keep you comfortable.
  • If you’re not too sure where to look, the bright star Vega should help guide you, located East about 45 degrees over the horizon.
  • You can also setup a camera on a tripod with a wide angle lens, taking multiple long exposures of about 20 seconds. Place the radiant of the meteor show on the edge of the frame to capture longer trails.
Lyrid Meteor Shower

Enjoy the show! The Lyrids are known for producing bright and fast meteors, some of which can leave persistent trails in the sky. You might also see some fireballs, which are very bright meteors that can light up the whole sky.

The Lyrid meteor shower is a wonderful opportunity to connect with nature and marvel at the beauty of the cosmos. Don’t let the city lights stop you from experiencing this amazing event. Happy stargazing!

Photography – 2023 Venus and Pleiades Conjunction

I’m sharing with you a photo I took of the recent Venus and Pleiades conjunction. The closest approach was on April 10th, but I had to wait until the 12th for a clear sky. It was a pretty sight to see the bright planet and the star cluster so close together in the night sky. I used my Canon 80D and a telephoto lens to capture this image. Here are some tips on how I did it:

  • Because I was going to take a long exposure and wanted round starts I used my equatorial mount and installed the camera with a clear view of the western horizon.
  • I set the camera to manual mode, the aperture to f/4.5, the shutter speed to 5 seconds, and the ISO to 1600.
  • I zoomed in with 135mm of focal length for the desired framing and focused on the bright stars using live view. Initially selected a bright star, and then moving to more dim ones for final focus adjustments. I made sure that both Venus and the Pleiades were nicely in the frame.
  • To take a photo without camera shake I used the 10sec delay and then checked the histogram to verified that the result is not overexposed.
  • I then went into the interval setting of the camera to take multiple photos, around 70 in total.
  • I imported the photos into Deep Sky Stacker for the registration and stacking of the photos.
  • Then opened the resulting photo over to GIMP for final adjustments like white balance, levels, color saturation, background gradient removal and noise reduction.
  • I exported the final image as a JPEG. Here it is, click to open full image:
Venus and Pleiades Conjunction April 12, 2023

I was hoping to capture a hint of the nebulosity within the star cluster, but I guess 5 seconds exposures, even when integrated to 6 minutes is not enough to capture that fainter detail. It was around 8:00pm when I took the photos, the sky was not fully dark, making the use of exposure above 5 seconds too bright. However I did manage to capture the colors of the stars down to magnitude 9.

I hope you enjoyed this post and learned something new. If you have any questions or comments, feel free to leave them below. Thanks for reading!

Canon 80D
135mm F4.5 telephoto lens
Individual photos: 5 seconds at ISO 1600
6 minutes total integration time
Vixen GP Equatorial Mount (untracked)
Registration and stacking with DSS
GIMP for final adjustment

April 11, 2023 – Venus Next to the Pleiades

If you are a stargazer, you might want to mark your calendar for April 11, 2023. At dusk, look west, you will have a chance to see Venus shining bright just 5 degrees left of the Pleiades, a beautiful star cluster also known as the Seven Sisters. Venus is the brightest planet in the sky and it will be easy to spot with the naked eye or binoculars. If you have a clear sight of the horizon and head out early enough, planet Mercury will be visible low in the sky and at a prime time for viewing at 19 degrees from the sun.

Conjunction of Venus with the Pleiades on April 11, 2023
Venus next to the Pleiades on April 11, 2023 after sunset

The Pleiades, also known as the Seven Sisters, is a famous star cluster in the constellation of Taurus. It is one of the brightest and most easily recognizable clusters in the night sky, visible to the naked eye in both hemispheres. The Pleiades consists of about 1000 stars, but only a few are visible to the unaided eye. The brightest stars are named after the mythological daughters of Atlas and Pleione in Greek mythology: Alcyone, Asterope, Celaeno, Electra, Maia, Merope and Taygeta.

Venus just 5 degrees left of the Pleiades

But that’s not all. Venus is also approaching its greatest elongation, which means it is farthest from the sun on the sky’s dome. This will happen on June 4, 2023, when Venus will be 46 degrees east of the sun and will set about three hours after sunset. At that time, Venus will be 49% illuminated and will appear as a first quarter phase through a telescope.

Greatest elongations are important events for observing the inner planets such as Mercury and Venus. They orbit closer to the sun than Earth. Therefore, it always appears near the sun when the sky is still blue and bright or lower over the horizon, and never overhead at midnight.

If you want to learn more about Mercury or Venus and its position in the sky, you can check out some online resources such as EarthSky.org or SkyandTelescope.org. They have detailed information and charts about Venus’s movements and appearances in the sky. You can also use a free online planetarium program such as Stellarium (what I used for the above screen captures) to see how Venus looks from your location at any time.

Jupiter and Venus Conjunction with camera phone

It’s a interesting to realise that anybody with a smart phone can now photograph our gas giant, Jupiter, located over 865,000,000 km away. You’ll need some better optics to get the moons of Jupiter, but it’s still very impressive that light emitted by the Sun bounced off the planet and traveled space all the way to the small 2mm opening of the lens and sensor on the phone to record a photo.

You’ll have to set the photo app into manual focus and use the “pro” setting to set the ISO and exposure, as the full automatic won’t be able to deal with such small light points in a dark background. But even hand held the results are good, thanks to keeping the exposure above 1/60s.

Below are photos of the Venus and Jupiter in early March taken with nothing more than a Samsung S10. If it wasn’t for Venus being so bright, correctly getting Jupiter would be a greater challenge.

December 13 – Trying to catch the Geminids

About a week ago I crossed on my news feed that the Geminid meteor shower was peaking on the 13th and 14th and it should be a good year. At the same time I saw some pretty impressive photos of photographers catching spectacular fireballs as these tiny dust and grains of rock plunge into the atmosphere.

Braving the below freezing weather I setup the Canon 80D on a tripod in the back yard to see what I could catch. I read that the best time for the Geminids is 2am, I wasn’t going to stay up that late on a weeknight, so 10pm would have to do.

Wanting to capture as much of the sky as possible, the zoom lens is set to 17mm and wide open at F4. Note that I live in the city with considerable light pollution (I guess that’s what happens when electricity is cheap) which meant only the brightest meteors would be visible. Playing around with the settings I quickly concluded that at ISO1600 10-seconds of exposure would be the longest I should use to avoid having an over exposed sky. Normally it’s best to have the image intensity peak on the left half of the histogram. This can be quickly checked by viewing a captured image and selecting the Info option.

The camera operated for over an hour and managed to take 304 images before the memory card was full. The camera could have kept going much longer had I wiped the card clean before setting up as the battery still had over 25% charge.

Once the photos transferred on computer I reviewed all the images and identified those that had what appeared to be a meteor, plane or clouds such that I could do the necessary processing later on.

I know the chance of catching a spectacular fireball is slim, but it’s still interesting to review the images for any surprised and explore the various types of processing that can be done.

The easiest and quickest thing to do with all these images is a time-lapse movie. This is essentially a no-brainer. I used Canon Digital Photo Professional 4 to perform some color and brightness corrections on the photos prior to creating the movie. The benefit of this software is that you can save the “recipe” you used on one photo and apply it to all. I also did a batch processing to generate individual JPEG with 1080p of resolution to limit the quantity of GB of intermediate files required for this time-lapse movie.

The clouds that showed halfway through the sequence limited what I could do next with regards to “processing”. My next plan was for star trails!

I selected the longest stretch of images without clouds and then stacked them without alignment, using the ADD MAX operation in DSS. The result will be star trails as well as light trails from any passing plane. The image below is 122 individual 10 second exposures for just over 20 minutes total exposure time.

Tracks from two planes are clearly visible over the arc motion of the stars. A third plane much higher and on a different flight path also crossed the image if you pay close attention.

The timelapse and the star trails are two quick and interesting results from the photo session, but that was not my initial plan. Next I created a “starless” version of my night sky to serve as a background. This was achieved by selecting 8 images 1 minute apart and stacking them using the SIGMA MEDIAN operation. DSS will compare the pixels of all 8 images and if it falls outside a defined sigma distribution, the pixel will be replaced with the median value. As the images are once again not registered or star-aligned, the foreground will remain fix while the stars will move. As the stars move between each image, they will fall outside the sigma distribution and will be replaced by the median value instead.

With my starless image completed, the next step is to use GIMP to blend together the individual meteor trails with the starless nigh sky image. I use a MASK to select just the meteor trail of each photo that I previously identified contained a meteor. Each photo was manually added as a layer to the starless background.

Picture saved with settings applied.

There’s a total of four faint meteor trails as well as one very bright but short lived meteor in the middle. That short bright one ended up being special. Most meteor trails appear only on one frame, but this one left a smoke/dust trail that lingered for a few frames (40 seconds) and can be seen drifting in the high-altitude winds. To best see this, I selected some photos, cropped, enhanced the individual frames and generated an animated GIF.

The last processing I did was select a large sequence of photos that had no clouds or planes but this time register them such that the stars would be aligned between each frame. I simply did an ADD AVERAGE to stack the 62 individual photos, creating the equivalent of a 10 minute exposure of the night sky.

Because the field of view is wide, and I wasn’t in a particularly dark sky area the resulting photo isn’t that interesting, not like some of the other ones of the Milky Way taken while camping away from cities. However I was able to crop the image down to an area that had multiple Open Star Clusters showing up. Swipe to see the photo with the Open Star Clusters identified by their Messier Catalog number.

Click here to enlarge the above photo.

There you have it, a camera outside on a tripod for 1 hour and plenty of interesting results.

August 20, 2021 Not Quite Full

August 20, 2021 Not quite Full

2021 Snow Moon

February’s Snow Moon

There’s been lots of attention over Mars this past week. I can’t really blame all the media coverage, the Mars 2020 Perseverance EDL to the Martian surface was really cool and a great feat for NASA. I enjoyed watching it live on the NASA YouTube feed. But this weekend let’s turn our attention to the Snow Moon; the only full moon in February.

The full moon will occur at 3:17am Saturday, so tomorrow evening will be the best time to catch it. There’s nothing particularly special about this full moon, not a Blue Moon (second Full Moon in the month) or “Super Moon”. The name Snow Moon comes from the Farmer’s Almanac as February is normally the month that receives the most snow in North America.

The great thing about full moons is that you don’t need to stay up all night and wait outside in the frigid cold to see it. At this time of year, in the Northern hemisphere, the Moon is visible for more that 12 hours a day.

If you’re tempted to photograph the Snow Moon, leave the mobile phone behind, it’ll just give poor results and you’ll end up frustrated with frozen fingers. Instead just enjoy the view, paying close attention to the various dark “seas” spanning the lunar surface.

If you do try taking a picture, grab a DSLR or compact camera with manual mode. Set the ISO around 200 and the focus to manual. Your shutter speed should be high, around 1/800s; a full moon is surprisingly bright. You’re get better results by slightly under-exposing your shot. If you have a tripod, use it, else try to steady yourself on something (railing, chair, car roof, etc..) Subtle movement can easily ruin the details in you photos.

Clear skies!

Gallery of photos

Manually Processing Comet Images

Looking back, the “Great comet of 2020″ C/2020 F3 NEOWISE was a fantastic sight and well worth the 3am alarm to snap some photos back in July. But comet images are notoriously difficult to work with. Should I also add that in older times, comets were often seen as a bad omen, the bearer of bad news? Cough, cough COVID-19 cough…

Anyways, back to astronomy… There are essentially two types of photo registration (alignment) software out there: 1) Deep Sky which uses pin-point stars to perform alignment; 2) Lunar/Planetary uses the large “disk” of a planet or Moon to align based on surface details.

So when you capture long wispy comets like the RAW image below, software like DSS or Registax just can’t cope.

RAW image : Canon 80D 300mm f/5.6 5 seconds exposure at ISO3200 (09-jul-2020)

I turned to standard photo-editing software for a manual alignment and stacking. This is essentially opening one “base” image and then adding a 2nd image as a new layer. I change that 2nd layer to be overlaid as a “Difference” and manually align this 2nd layer to match the base layer. Once that is done I change the layer mode to Addition, and then hide this 2nd layer. Repeat the steps for a 3rd, 4th, 5th, etc. layers until you’ve added all your images. Always aligning with the “base” image to ensure no drift.

If you simply add all those layers up, you will get one very bright image because you are adding pixel intensities. You can do that and then work with the Levels and Curves to bring it back down, or if like me, working with GIMP, then use the Py-Astro plug-ins to do the merging and intensity scaling in a single step with a Merge all layers. Py-Astro can be downloaded here. I haven’t explored all that the plugins have to offer, that will hopefully be in another blog.

Stacking 11 individual frames results in an improvement over a single RAW image (image below). With the stacked image, I’m able to work with the intensities to darken the sky while keeping the comet tail bright.

After merging 11 images manually aligned in GIMP

However the sky gradient is pretty bad, due to the camera lens and because at 4am the sun is starting to shine on the horizon. So off to IRIS to correct the background gradient. From GIMP I save the files as a 16BIT FIT that I can use in IRIS. For steps on how to do this, see my blog about how to remove the sky gradient.

After a quick spin in IRIS, I’m back in GIMP for final color and intensity adjustments, I boosted the BLUE layer and adjusted the dark levels for a darker sky.

C/2020 F3 NEOWISE from 09-JUL-2020 by Benoit Guertin
Final Processed image of C/2020 F3 NEOWISE from 09-JUL-2020